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The 40 or so leaded-glass Jewellery on Sale with bases come from the New York City-based Neustadt Collection of Tiffany Glass, which organized the show. She might have been strolling through a spring garden, passing peachy peonies Return to TIFF Heart Lock Cuff floppy red poppies, with blue-eyed dragon-flies zipping through. "If I had to take one home, it would be that one," Conway said, staring up at a large dragon-fly hanging shade. Unlike the famous dragon-fly table lamps that look as though the insects have just landed and will soon flutter away, Return to TIFF Heart tag bracelet one features a dense, interlocking pattern. The creatures might be engaged in a kind of air ballet, their wings resembling flower petals. "I imagine myself lying in a field with all these dragonflies swirling overhead," Conway said. "It's very kinetic." The exhibition is "really one of the first in-depth studies of the lamps from a more scholarly perspective," Conway said. Return to TIFF heart tag Charm and bracelet was made possible by the discovery in 2005 of richly detailed letters written by Clara Driscoll, who designed nearly all the floral shades. She is now credited with first having the idea to make lamp designs based on nature. She joined Tiffany Studios in the late 1880s Return to TIFF Heart Tag Charm Set became the head of the women's glass-cutting department. Starting in 1898, Tiffany manufactured lamps she designed featuring flowers and insects. (Men designed the geometric shades.) The show opens with a display illustrating the process of making a Tiffany lamp: A watercolor sketch was translated into a plaster mold, and that design got transferred onto a wooden mold.